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Shigeru Aoki (1882-1911) was a Japanese painter famed for his combining of Japanese mythology and legends with the Western-style art movement that could be found in some late 19th and early 20th century Japanese paintings.<br/><br/> Aoki was born into an ex-samurai household in northern Kyushu. He left his home in 1899 to pursue artistic studies in Tokyo, and soon began to accumulate critical acclaim for his artwork and its use of Pre-Raphaelite Brotherhood techniques mixed with Kojiki themes. He died in March 1911 from tuberculosis, aged only 28.
Tsukioka Yoshitoshi (30 April 1839 – 9 June 1892) (Japanese: 月岡 芳年; also named Taiso Yoshitoshi 大蘇 芳年) was a Japanese artist and Ukiyo-e woodblock print master.<br/><br/>He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing.<br/><br/>By the end of his career, Yoshitoshi was in an almost single-handed struggle against time and technology. As he worked on in the old manner, Japan was adopting Western mass reproduction methods like photography and lithography. Nonetheless, in a Japan that was turning away from its own past, he almost singlehandedly managed to push the traditional Japanese woodblock print to a new level, before it effectively died with him.
Tsukioka Yoshitoshi (30 April 1839 – 9 June 1892) (Japanese: 月岡 芳年; also named Taiso Yoshitoshi 大蘇 芳年) was a Japanese artist and Ukiyo-e woodblock print master.<br/><br/>He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing.<br/><br/>By the end of his career, Yoshitoshi was in an almost single-handed struggle against time and technology. As he worked on in the old manner, Japan was adopting Western mass reproduction methods like photography and lithography. Nonetheless, in a Japan that was turning away from its own past, he almost singlehandedly managed to push the traditional Japanese woodblock print to a new level, before it effectively died with him.
Tsukioka Yoshitoshi (30 April 1839 – 9 June 1892) (Japanese: 月岡 芳年; also named Taiso Yoshitoshi 大蘇 芳年) was a Japanese artist and Ukiyo-e woodblock print master.<br/><br/>He is widely recognized as the last great master of Ukiyo-e, a type of Japanese woodblock printing. He is additionally regarded as one of the form's greatest innovators. His career spanned two eras – the last years of Edo period Japan, and the first years of modern Japan following the Meiji Restoration. Like many Japanese, Yoshitoshi was interested in new things from the rest of the world, but over time he became increasingly concerned with the loss of many aspects of traditional Japanese culture, among them traditional woodblock printing.<br/><br/>By the end of his career, Yoshitoshi was in an almost single-handed struggle against time and technology. As he worked on in the old manner, Japan was adopting Western mass reproduction methods like photography and lithography. Nonetheless, in a Japan that was turning away from its own past, he almost singlehandedly managed to push the traditional Japanese woodblock print to a new level, before it effectively died with him.
Chiang Mai, sometimes written as 'Chiengmai' or 'Chiangmai', is the largest and most culturally significant city in northern Thailand, and is the capital of Chiang Mai Province. It is located 700 km (435 mi) north of Bangkok, among the highest mountains in the country. The city is on the Ping river, a major tributary of the Chao Phraya river.<br/><br/> King Mengrai founded the city of Chiang Mai (meaning 'new city') in 1296, and it succeeded Chiang Rai as capital of the Lanna kingdom. The ruler was known as the Chao. The city was surrounded by a moat and a defensive wall, since nearby Burma was a constant threat.<br/><br/> Chiang Mai formally became part of Siam in 1774 by an agreement with Chao Kavila, after the Thai King Taksin helped drive out the Burmese. Chiang Mai then slowly grew in cultural, trading and economic importance to its current status as the unofficial capital of northern Thailand, second in importance only to Bangkok.
The Forbidden City, built between 1406 and 1420, served for 500 years (until the end of the imperial era in 1911) as the seat of all power in China, the throne of the Son of Heaven and the private residence of all the Ming and Qing dynasty emperors. The complex consists of 980 buildings with 8,707 bays of rooms and covers 720,000 m2 (7,800,000 sq ft).
The Forbidden City, built between 1406 and 1420, served for 500 years (until the end of the imperial era in 1911) as the seat of all power in China, the throne of the Son of Heaven and the private residence of all the Ming and Qing dynasty emperors. The complex consists of 980 buildings with 8,707 bays of rooms and covers 720,000 m2 (7,800,000 sq ft).
Chiang Mai, sometimes written as 'Chiengmai' or 'Chiangmai', is the largest and most culturally significant city in northern Thailand, and is the capital of Chiang Mai Province. It is located 700 km (435 mi) north of Bangkok, among the highest mountains in the country. The city is on the Ping river, a major tributary of the Chao Phraya river.<br/><br/> King Mengrai founded the city of Chiang Mai (meaning 'new city') in 1296, and it succeeded Chiang Rai as capital of the Lanna kingdom. The ruler was known as the Chao. The city was surrounded by a moat and a defensive wall, since nearby Burma was a constant threat.<br/><br/> Chiang Mai formally became part of Siam in 1774 by an agreement with Chao Kavila, after the Thai King Taksin helped drive out the Burmese. Chiang Mai then slowly grew in cultural, trading and economic importance to its current status as the unofficial capital of northern Thailand, second in importance only to Bangkok.
Chiang Mai, sometimes written as 'Chiengmai' or 'Chiangmai', is the largest and most culturally significant city in northern Thailand, and is the capital of Chiang Mai Province. It is located 700 km (435 mi) north of Bangkok, among the highest mountains in the country. The city is on the Ping river, a major tributary of the Chao Phraya river.<br/><br/> King Mengrai founded the city of Chiang Mai (meaning 'new city') in 1296, and it succeeded Chiang Rai as capital of the Lanna kingdom. The ruler was known as the Chao. The city was surrounded by a moat and a defensive wall, since nearby Burma was a constant threat.<br/><br/> Chiang Mai formally became part of Siam in 1774 by an agreement with Chao Kavila, after the Thai King Taksin helped drive out the Burmese. Chiang Mai then slowly grew in cultural, trading and economic importance to its current status as the unofficial capital of northern Thailand, second in importance only to Bangkok.
T. Enami (Enami Nobukuni, 1859 – 1929) was the trade name of a celebrated Meiji period photographer. The T. of his trade name is thought to have stood for Toshi, though he never spelled it out on any personal or business document.<br/><br/> Born in Edo (now Tokyo) during the Bakumatsu era, Enami was first a student of, and then an assistant to the well known photographer and collotypist, Ogawa Kazumasa. Enami relocated to Yokohama, and opened a studio on Benten-dōri (Benten Street) in 1892. Just a few doors away from him was the studio of the already well known Tamamura Kozaburō. He and Enami would work together on at least three related projects over the years.<br/><br/> Enami became quietly unique as the only photographer of that period known to work in all popular formats, including the production of large-format photographs compiled into what are commonly called "Yokohama Albums". Enami went on to become Japan's most prolific photographer of small-format images such as the stereoview and glass lantern-slides. The best of these were delicately hand-tinted.